Johnny Depp

Transcendence

(Wally Pfister, 2014, USA/China/UK)

37370840-a55a-11e3-b43d-ff33a164400e_transcendence_poster_blogChristopher Nolan’s usual cinematographer, Wally Pfister, makes the leap to directing with this high-concept technothriller, an ambitious venture that ends up being as disappointingly bland as it is poorly conceived. A-list character actor Johnny Depp stars as Dr. Will Caster, an artificial intelligence (or AI) scientist eager to create a sentient computer capable of self-aware consciousness and greater-than-human intelligence; this moment of creation, known as the technological singularity amongst most AI researchers, is designated ‘transcendence’ by Caster in an early tech-conference speech, giving the film its lofty (if pretentious) title. Shortly thereafter, though, Caster is shot with a radioactive bullet by anti-technology terrorists, forcing his wife Evelyn (Rebecca Hall) and best friend Max (Paul Bettany) to upload his consciousness into a quantum supercomputer in an attempt to save his mind. Since this is a thriller, not a comedy, one can easily guess what happens next: Caster’s human intellect quickly fuses with the computer’s synthetic intelligence to achieve the singularity promised by the title, leading to a race against time to stop the newly formed sentience before it destroys humanity in a nuclear holocaust or enslaves us all in an artificial reality.

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Most Anticipated of 2014: Part I

(February – April)

This probably should’ve been posted a month ago, but not much has really come out so far (and nothing that I’ve been looking forward to), so I’m ok with doing it now. Plus, my first real big anticipated movie of the year gets released on Wednesday, so this is as good a time as any to post this. I’ll try to collect a good mix of blockbusters and indies, with some in-between genre pictures as well; I’ll also go chronologically, to help avoid ridiculous, arbitrary distinctions about anticipation level for various films. Anyway, without further ado, the first part of my most looked-forward-to films for the rest of the year:

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